HALF-PIXELS (2015-)

For this series, I was interested in developing a multi-layered process utilizing digital imaging technology (photocopier, flatbed scanner, laser printer, projector) to manipulate the figures. In my mind, these alterations suggest the transformative role of technology in reckoning the human experience. The works exploit the miscommunications that occur during translations between the virtual and the actual. Likewise, they invoke glitch art and surrealism to subvert photographic purism and parallel the deceptive nature of virtual identities.